Greetings fellow explorers of creative thought
In many ancient doctrines and modern beliefs, from one source of true light, the concept of God is realized in many Godlike essences to be the Alpha and Omega of all life. Schools of metaphysical thoughts, religious doctrines and interpretations of scholarly scribes, believe the myriads of colors that mankind perceives in his mind came from one source and that is through the spectrum of true light; the light of all creation; the light that many spiritual Avatars have spoken about as the source of creation.
From one light source, all colors are produced but there is a distinct difference between Optical colors and Three-dimensional colors that offers an interesting viewpoint of how mankind perceives the world he lives in.
At fourteen, as an apprentice and student of the origins of Printing, Science, Art, and Communication, I knew the origin of printing through Cuneiform writing at a very early age. I also learned the importance of using various methods of Art to Communicate and advance powerful stories through ideas, while learning about the Lithographic, Photogravure and various printing methods. I had the opportunity to be hands-on during the process. My early exposure in printing taught me to understand and appreciate the history of light and colors through the instruction of applied science and three-dimensional art which I remember to this day.
That optical or primary colors of a spectrum is obtained by refraction through crystals or from a drop of water that produces an optical separation into three primary colors – Magenta, Cyan and Yellow. This visual experience is obtained through a process of separation each color from the spectrum of true light, and by this process the optical primary colors are formed into a myriad of rainbow colors. These are displayed. On the covers of the trilogy – Episode One: Yellow/orange, Episode Two: Cyan/Blue, Episode Three: Magenta/Dark red.
OPTICAL PRIMARY COLORS
On the other hand, the perception of colors from a three-dimensional perspective is vastly different. Three-dimensional colors can only be recognized by mixing various earth pigments to create a three-dimensional representation of colors. Through this process the artist transfers his or her impressions of a visual scene or object onto a plain background that physically presents a three-dimensional color formation. This interaction of human physical and mental energies along with earth pigments, creates natural images of the scene or object that human eyes can relate to.
Whereas the optical concept of colors of light and shade taken from a filter to separate the colors through a camera of the three-dimensional painting or image, would disappear if the original light source is removed. At the same time, the three-dimensional painting would remain fixed and permanent as one observes it.
This optical phenomenon in which these primary colors cannot be mixed physically, presents a conundrum. Only by separating the optical primary colors through filters into digital forms of varying sizes of dots for each color; can the object become transferred into earth colors or appear as three-dimensional perceptions of color.
The author applied his knowledge to differentiate the difference of optical light transference of color and emphasize that the optical energies are from the source of true light. While the three-dimensional perception of color is created by mixing pigment or earth colors based upon earth’s energies.
EXAMPLE OF THREE-DIMENSIONAL PERSPECTIVE
Where the human eye perceives the width – height – depth of all things
In order to achieve a three-dimensional presentation from the optical or primary colors, it must be pigmented and only when black outlines are added, can it become a three-dimensional facsimile of the painting. Although in this case, black is not considered a color, it serves to accentuate the depth, width, height and the open or white areas of the painting represents the highlights of light in our three-dimensional world.
Further evidence of the difference of Optical primary colors, is that the colors must be separated by a photographic process and broken down into digital forms. And even if these color separations on film are placed together, the three-color films by themselves cannot produce a three-dimensional facsimile. Placed together over a light table, the result will be a pale and diffused representation of the three-dimensional color painting or photograph – sometimes described as sepia tones or translucent images.
I used this process of identifying and separating the colors of light to differentiate the focal vibrations of homo sapiens in visualizing the two interpretations.
First, optical vision and secondly, the three-dimensional experience. The optical version represents true light from the heavenly spheres and the three-dimensional colors from the earth’s vibrations. Thus, the optical colors become primary colors from true light of the celestial realms and three-dimensional colors as emanating from earth’s energies and vibrations. That’s how the lithographic process is able to distinguish the differences between optical colors and three-dimensional colors.
Now dear readers, I humbly extend an invitation for you to comment on the views I have proposed. Please feel free to communicate your thoughts, one week after receiving, this Blog.
PLEASE COMMENT:
Comments could be short or extensive, all views are accepted.
Respondents must be aware that their views about each blog, will be published as one book after compilation is complete. Names and identities of participants, are optional.
